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NYONGEZA A: BIBLIOGRAFIA
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Abrams, M.H., The Mirror and the Lamp, W.W. Norton and Company, Inc. New York, 1953.
Abrams, M.H., Understanding Fiction, Appleton-Century-Crofts, London, 1943.
Abrams, M.H., Literary Topics, Friedland, New York, 1964.
Abrams, M.H., On Literature and Art, Progress Publishers, Moscow, 1978.
A. Quiller Couch, On the Art of Writing, Cambridge University Press, London, 1923.
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Arvon, H., “Form and Content,” katika Marxist Eesthetics, Cornell Univeristy Press, Ithaca na London, 1954.
Bearne, C.G., Writers and Critics, Oliver and Boyd, Edinburgh, 1969.
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Blair, W., Gerber, J, Garber, E., “Characters,” katika Literature, Scott, Foresman and Company, 1959:1966.
Blair, W., Gerber, J, Garber, E., “Introduction to Short Stories, Drama and Poetry,” m Literature, Scott, Foresman and Company, U.S.A. 1959: 1966.
Booth, W.C., The Rhetoric of Fiction, University of Chicago Press, Chicago, 1965.
Brooks, C., Warren, P.R., Fundamentals of Good Writing, Dobson, London, 1966.
Brooks, C., Warren, P.R., Understanding Fiction, Appleton- Century-Crofts, Inc. New York, 1943.
Brooks, C., Warren, P.R., Fundamentals of Good Writing, Dobson, London, 1956.
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Cassil, R.V. “Form and Expression in the Short Story,” katika On Creative Writing, By Paule Engle, E.P. Dutton & Co. Inc. New York, 1966).
Chekhov, A., Letters on the Short Story, the Drama, and Other Literary Topics, Friedland, New York, 1964.
Day, H., You too can Write for Money, A. Thomas and Co. Preston, 1961.
Deutsch, B., Poetry Handbook, Jonathan Cape, Thirty Bedford Square London, 1965.
Fischer, E., Art Against Ideology, George Braziller, New York, 1969.
Fischer, E., The Necessity of Art: A Marxist Approach, Pelican Original, Balt more-Maryland.
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Frank O’Oconnor, The Lonely Voice: A Study ofthe Shorl Story, Macmillan, London, 1962.
Fraser, G.S. The Modern Writer and His World, Pelican Books, 1905.
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Grabo, C.H., The Art of the Short Story, Scribners Sons, New York, Chicago, 1940.
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Harte, B., “The Rise ofthe Short Story,” kutoka Cornhil Magazine, VII, I – 8, 1899.
Hebblewhite, A.B., Fiction Writing for West Africans, Macmillan, New York, London, 1962.
Holman, C.H., A Handbook to Literature, The Odyssey Press, New York, 1936.
Irving, W., “On Style and Purpose in the Short Story,” Kutoka katika The Life and Letters of Washington Irving, G.P. Putman, New York, 1824.
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Kane, I.S., Peters, L.J., Writing Prose (Technique and Purposes), OUP, New York, 1964.
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Mathews, B., The Philosophy of the Short Story, Longman Green and Co., New York, 1901.
Matteru, M.L., “Uhuru wa Mwandishi,” katika Kioo cha Lugha, Chama cha Kiswahili, Chuo Kikuu cha Dar es Salaam, 1975.
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Maughaw, W.S., Writing and Sale ofthe Modern Short Story, Hinds, Noble and Elderdge, New York: 1909.
Mbenna, I.C., Uandishi wa Vitabu, TPH, Dar es Salaam, 1978.
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Mohamed, S.A., “Hatua Mbalimbali za Kubuni na Kutunga Riwaya,” (Makala) TUKI, 1978.
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Ngugi wa Thong’o, Homecoming, HEB, London. Ibadan. Nairobi, 1972
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Ngugi wa Thong’o, A Barrel ofa Pen, BEB/USA, 1983.
O’Brien, C.C., Writer and Politics: Essays and Criticism, Penguin Books, 1976.
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Saroyan, W. “Short Story,” katika Cassell’s Encyclopaedia of Literature, Cassell and Company Ltd. London, 1953.
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Thomson, C.C., “The Short Story,” katika The Right Way io Write Successful Fiction, Andrew George Eliot, London, 1946.
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Zis, A., “The Image m Arts,” katika Foundations of Marxists Aesthetics, Progress Publishers, 1977
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